Showing posts with label San Francisco. Show all posts
Showing posts with label San Francisco. Show all posts

Friday, January 29, 2016

16th and Shotwell


This used to be Rolling Stock Tires & Auto Repair before it was demolished in the middle of the night last November by the building's owner after a suspicious fire that displaced 21 people. Last I heard they were planning to build condos on the now empty lot.

Photo by Jay Unidos



Mike Giant


Slap tagging, San Francisco, 1994.  

Photo by Ben Lovejoy

Thursday, January 28, 2016

Still Not Quiet On The Western Front


Maximum Rocknroll presents their first fest in almost a decade! STILL NOT QUIET ON THE WESTERN FRONT Fest will be happening in the Bay Area Thursday February 11th through Sunday February 14th of 2016. Forty DIY punk bands from all over will be playing shows in San Francisco, Oakland, and Berkeley, with five main shows, two day shows, and three after shows. 


Thursday, January 7, 2016

Thursday Blog 1.7.16

Here is my first blog of the new year, and even though I’m looking forward to 2016, this is going to be a look back at Urban Guerrilla Zine in 2015.  I attempted to post a new blog every Monday towards the end of last year, which pretty quickly turned into every other Monday, but even so I’ve decided to commit to posting a couple a blogs a week in 2016.  Now, let’s take it back to time not so long ago.

In 2015, I managed to put out two zines, which isn’t that impressive.  On the other hand, when you’ve been putting out a zero zines per year for the last seven or eight years, two’s pretty good.  Urban Guerrilla Zine has never really gone away or stopped being active.  When there wasn’t a new issue of Urban Guerrilla Zine there were over a hundred UGZ Presents shows that I booked and promoted, like the UGZ Speed Trials for example, and when I stopped booking shows there was the internet.  When the internet started to feel a bit too isolating and detached, I decided to make zines again.  For most folks Urban Guerrilla Zine existed from 1997-2006, and that was pretty much it until 2015.

Urban Guerrilla Zine #17 was made to accompany a UGZ themed art show that took place in early 2015 at 1-2-3-4 Go! Records in Oakland, at the urging of Pat Libby for which I am grateful.  Urban Guerrilla Zine #17.5 was a half issue entitled “Summer Of No Love”, which was supposed to be out by late summer, but didn’t actually see the light of day until the fall due to issues with the printer.  In fact both zines had printer issues, and in both cases I found myself at Inkworks Press (a worker owned collective) in Berkeley, having to photocopy what were intended to be offset printed zines.  Inkworks doesn’t have the best copy machines, but they are well maintained, so the zines looked pretty good.  The biggest drop off from offset to photocopy would be the photo quality.  In the case of #17 I had to have it done in time for the art show, which we’d also advertised as a zine release party.  As far as the “Summer Of No Love” half issue went, I wanted that out as quickly as possible because I know me, and if I’d waited any longer then it would’ve ended up with all of the other unfinished projects cluttering my work area.

Urban Guerrilla Zine #17.5 is a very personal issue, but not a “personal zine”.  Maybe I should’ve made that distinction a bit more clear when describing it in previous posts.  I wasn’t that concerned with how much the graphics or stories resonated with the reader as much as I wanted to recreate this one summer in Emeryville, standing at a bus stop next to a casino that was in the process of being torn down, surrounded by elderly Asian gambling addicts and crack addicted prostitutes from the stroll a few blocks away on San Pablo Ave.  The vibe I felt while waiting to transfer to the bus I rode to my summer job at a bookstore, where I spent all day indoors when all I wanted was to hang out on Telegraph Ave with my friends.  I didn’t actually write any of that in the zine, but it’s there.

Looking ahead, I plan on doing more zines in 2016, one or two of those will be newer issues of UGZ for what has admittedly become a somewhat limited audience.  On the other hand, I don’t miss printing a thousand zines at a time, and distributing them, then trying to collect the money I’m owed from all the various distributors around the country.  I’m making zines at this point because I enjoy the process, and so I’ll see where that approach takes things from here on out.

If you didn’t get a copy of Urban Guerrilla Zine #17, the only remaining copies I know of are at Needles and Pens, 1173 Valencia St, San Francisco, CA

If you want a copy of Urban Guerrilla Zine #17.5 aka “Summer Of No Love”, then you can still purchase a copy at:

Monday, December 14, 2015

Monday Blog 12.14.15

There used to be a time when I’d think, “this is too much”, and, “they’ve finally gone too far.”  The first time I watched the Rodney King beating video I thought that, but then there was the trial and all of the officers involved were acquitted.  The L.A. riots that followed had flashes of sending a message, especially when they started to move towards the wealthier areas of the city, but in the end the folks who rioted only managed to burn and loot their own neighborhoods.  I should know better than to think that any one incident will turn the tide at this point because the list of demands from communities most affected by these types of incidents usually focus on reform, which is the same reform that previous generations have been calling for since the 1960s.  
Last week’s Monday blog was about the SFPD’s execution of Mario Woods by firing line, which was all captured on video, from multiple angles in the city’s Bayview District.  I wasn’t prepared for what I was about to see when Facebook autoplayed the first video I watched of Mario Woods being gunned down by the SFPD.  That’s a shitty function by the way, and who knows why Facebook feels the need to shove video content down the throats of its users, but either way I watched that video, and later the other videos from different angles before writing last week’s blog.  It was shocking, and after two years of protests around the country, and the Black Lives Matter movement, to think that something like that can happen in a so called liberal city like San Francisco just underlines the fact that we are way past the point of fixing things with simple reforms.  Oh, and if you watched the Mario Woods video(s) and thought, “this is too much”, and, “they’ve finally gone too far”, then you probably missed the video of Los Angeles police officers shooting a man 33 times as he attempted to crawl away.  The LAPD says they found a gun on the man they shot from behind, then continued to shoot as he crawled away, and they also claim that they received 911 calls from citizens in the neighborhood reporting gun fire, and that the young African American male they shot to death matched the description of the suspect.  If only we had a system where we could trust that all of those claims would be followed up on and properly investigated.
There used to be a time when people believed that art and music could change the world, but that got commodified and turned into art and music becoming a soundtrack for social change, then finally a soundtrack for a generation that once called for change in this country.  They protested in the streets and occupied their college campuses, then graduated and got married, had kids, bought property, turned their homes into apartments, and their backyards into apartment buildings, then rented these units to students so they could circumvent rent control laws, and so on.  That’s a different subject for a future blog perhaps; the Baby Boomer generation and the pitfalls of granola based diets.  

A creative, conceptual, free form approach to addressing the inequality and injustices in our society can change the world, as we observe it.  It’s not literally the art or music, but a state of mind.  I know that’s a fairly abstract statement to make without expanding on it further, but the point of these blogs is not to delve deeply into every thought I have concerning whatever subject I’m addressing, but it’s more of an immediate response to what’s most on my mind on any Monday morning when I sit down to write.  

Monday, December 7, 2015

Monday Blog 12.7.15



Here are links to two videos showing how SFPD handled a similar incident that took place last Wednesday in the Bayview District. Video One and Video Two.  All three videos contain graphic violence, so please take that into consideration before clicking on any of these links.

I posted the above video as an example of how someone wielding a knife can be apprehended without the use of deadly force.  That much is obvious, but I also included links to videos of the SFPD basically playing judge, jury, and executioner when five of its officers opened fire on Mario Woods, who didn’t appear to be any more threatening than the man apprehended by the London police in the first video, and if anything he appeared (in the videos) to be less of a threat.  I could write more about the particulars of this incident, but why?  The videos speak for themselves, and that’s one of the reasons that I find it so ridiculous that SFPD Chief Greg Suhr would try to spin last Wednesday’s events by using photographic evidence instead of the multiple videos, that had already gone viral on social media, at Friday’s community meeting, which took place at San Francisco City College.  It’s even more ludicrous that police departments around the country are still allowed to deflect by using the same tired “We’re currently conducting an internal investigation” response.  

One of the things I’m seeing a lot online is that citizens are calling for SFPD Police Chief Greg Suhr to step down, or be fired.  Another thing I saw immediately after the first video of the SFPD killing Mario Woods surfaced was a call for massive reform in the San Francisco Police Department, which is a reasonable response after witnessing (on video) what was clearly an excessive use of deadly force by the SFPD.  My response would be, yes, Greg Suhr has to go.  Why?  It’s simple, that’s the job he signed up for.  He could’ve told all of those officers personally behind closed doors to never do what they did on numerous occasions, but they did it anyway, and the buck stops with him.  That said, he could’ve come out and admitted that what happened was wrong, and that the five officers involved would be held responsible for their actions by the department (i.e. lose their jobs), then even go so far as to suggest that said officers be tried in a court of law.  Last but not least, he should’ve taken responsibility for what happened, played the two videos, apologized again, then again after that, and listened patiently while citizens from Bayview yelled at him for the duration of the community meeting.  There’s a time to spin and a time not to spin, and that was not the time.   


People have been conditioned to immediately call for reforms when government institutions are exposed as being incompetent or corrupt, but that’s an age old trap that was set years ago by the same power structure that controls this country.  With roughly only 50% of the eligible voters in San Francisco, Oakland, and Berkeley being registered to vote, and only around half of those registered actually voting, the people calling for these reforms lack the leverage needed to make their demands heard in the proper context.  Even if there was greater voter turnout, there is still the issue of how city governments conduct business, i.e. the system that is already in place, which is often a local version of everything most Americans detest about big government bureaucracy at the state and federal levels.  I think the SFPD and police departments around the country need to be reformed,  but more than that I think they need be restructured and reimagined as something completely different than what they are today.  Every police department, which I’ll continue referring to them as because I haven’t yet thought of a new name, would answer directly to their local communities in a way that would ensure that if five police officers executed a man carrying a kitchen knife on a public street, then those officers would be fired immediately, as would the chief (assuming that position still existed in some capacity), and a trial would take place to determine whether what they did was voluntary or involuntary manslaughter, as would be the case for any of us now, even if our defense was “self defense”. 

Monday, March 24, 2014

BLOWN TO BITS


I snapped this pic of an old Blown To Bits sticker down by the train tracks in Berkeley this past weekend.

Friday, February 14, 2014

REAGAN SS


Reagan SS set from the 2002 Rampaging Insane Depravity Fest. The 2002 R.I.D. Fest took place at various venues throughout the Bay Area and Southern California. This set in particular is from day two of the fest, which took place at both Warm Water Cove in San Francisco during the day and 924 Gilman in Berkeley at night. Reagan SS played the Gilman show in the Bay Area and a house party in Long Beach when the fest moved south the following weekend.

Friday, January 10, 2014

Thursday, November 14, 2013

Rampaging Insane Depravity


This dude was feeling it!  Day three of the 2002 R.I.D. Fest, which took place at Mission Records in San Francisco. The lineup for this show was Brainoil, Phalanx (Seattle), Exitwound (reunion), Dystrophy, Voetsek, Black Market Fetus (Iowa), Thretning Verse (Los Angeles), and I'm pretty sure that Skarp (Seattle) jumped on as well.  Photo by Rick P.U.N.K.

Wednesday, September 25, 2013

Thursday, August 1, 2013

LUDICRA


Today’s ‘Throwback Thursday’ post is a full set from Ludicra, filmed in 2007 at 924 Gilman by Dan Hashthrash (killthatcat.com).

Tuesday, July 30, 2013

VON IVA



I stumbled across these photos of Von Iva playing a show we booked for them at Gilman in 2007, and it was a reminder that as much as some folks would try to pigeon hole us as grind bookers or doom metal bookers, and maybe most ridiculous of all - 'tough guy hardcore' bookers, UGZ was always about bringing diversity to Gilman's event calendar, and the same went for any other club that allowed us to set up shop for an extended period of time.  

By the way, Von Iva played to a packed house that night, and stole the show!

photos by romorosso

Friday, May 3, 2013

SUICIDIDAL TENDENCIES

Check out this killer interview that Chris Kontos did (for Capital Chaos TV) with Mike Muir of SUICIDAL TENDENCIES backstage at the Regency Ballroom in San Francisco.  Mike explains his approach to the band after all these years, his philosophy for life and how he lives it, really breaking it down for anyone that's willing to listen.

Part 1:

SUICIDAL TENDENCIES (interview part 1) on... by CapitalChaosTV


Part 2:
SUICIDAL TENDENCIES (interview part 2) on... by CapitalChaosTV

Tuesday, June 26, 2012

YOB at 924 Gilman (Full Set)



In the summer of 2011, UGZ Presents breezed back into 924 Gilman and booked three shows: RORSCHACH, YOB, and POISON IDEA.  It felt good to be out there again, flyering telephone poles, record stores, tattoo shops, bars, houses, etc. - not just online, although we did that shit too.  All three shows were great, averaging around 350 paid, with PI topping out closer to 400. Guarantees were met, bills were paid, and itches scratched. 


Thanks to killthatcat.com for filming and uploading YOB's set in it's entirety.

Tuesday, June 12, 2012

R.I.P. Jeff "Leppard" Davis



Jeff and Nikki were two of the most genuine and friendly people that I've ever had the pleasure of knowing. In a scene filled with lesser individuals of questionable character and intentions, Jeff and Nikki were a bedrock of integrity, who supported UGZ (and myself) at times when we really needed that extra push to help us get over the hill. I didn't know Jeff and Nikki as long as some of you, maybe 11 or 12 years, and we were never that tight after the Burnt Ramen days, but I did have an opportunity to reconnect with Jeff and Nikki a couple of years ago. We drank together for hours and discussed the crossroads in our relationship, our lives, then we drank some more, but more importantly we were able to put the pettiness of the past behind us. That's something that hasn't come easy for me, especially in dealing with certain individuals from 'the scene', but time has a way of making the weighty drama of the past seem more hollow, as do the moments spent with good people to remind us of what is important in life, however long it lasts.

R.I.P. Jeff, I'll miss you. My thoughts go out to Nikki for her loss, and also for a speedy recovery from her injuries.

-Jay Unidos/UGZ






"This is a set that STFU played at Burnt Ramen days after the famous false flag event in New York. I overlayed pictures of Jeff Davis (AKA Jef Leppard). Jeff was an amazing individual, an excellent guitarist and a great audio engineer. He was also one of the most vibrant, enthusiastic people I have ever known. It is a loss to the Bay Area, he was killed in a motorcycle crash on June 10th, 2012. His wife is currently in the hospital in critical condition. Her medical bills are mounting. I will try to find out where any donations can be made. Also, if anyone wants to figure out the setlist for this performance, that would be appreciated."


-Mykee Ramen

UPDATE: A bank account has been established to help with funeral expenses for Jeff, Nikki’s mounting medical bills, and living expenses while Nikki recovers.

To donate cash, you can visit any Chase Bank and make a deposit to account number: 3034797323

To donate via PayPal the email is: help_jeff_n_nikki_d@yahoo.com

Thursday, March 1, 2012

Dystrophy

A couple of photos from Libertatia 2002, which took place at Warm Water Cove in San Francisco, CA.

If the turnout looks small, that's because it was. 2002 was a busy year for the Ear2TheGround Punx, which was basically UGZ Presents & friends holding down the fort at places like Burnt Ramen, and also doing our best to support the Pyrate Punx crew by including them on bigger events like the Rampaging Insane Depravity Fests. 2002 was not such a busy year for the Pyrate Punx, and by the end of the year the only active members of the crew were (to the best of my memory) Russ, Marcus, Jeremiah, and eventually myself when I was voted in as head booker (Marcus' old position). That caused a riff in the Pyrate Punx, and long story short, Marcus and I kind of broke off and did our own thing for a couple of years after that. Pyrate Punx remained a relatively small operation until the fateful day that I convinced Marcus Da Anarchist to sign up for a Myspace account, and the rest is history. Now the Pyrate Punx thing is international, or so I've been told by newer members of 'da crew'.

Our staff photographer Sam Bortnick snapped these photos of DYSTROPHY, along with some others that I'll post at a later time. DYSTROPHY were one of the best young Bay Area hardcore bands at the time, and they played a bunch of shows for us, including the Rampaging Insane Depravity Fest and the first ever UGZ Speed Trials.



Thursday, February 23, 2012

924 Gilman | Mural Project



 In 2010 I got together with Bay Area artist Kaytwo from the WCF crew to organize the 924 Gilman Street Mural Project. The original idea was to create a rotating exhibit of pieces by Bay Area street artists, with Kaytwo handling the logistics for us once the ball was rolling. In spite of the puzzled looks I encountered when discussing the 'Mural Project' with many of the club's volunteers, I went ahead and proposed the project at a monthly membership meeting where it was voted in unanimously. In addition to receiving the club's stamp of approval, I asked for and received money to help kick start the process, i.e. pay for the paint. Unfortunately, the project was never fully realized, but Kaytwo did shoot the above videos documenting its beginnings.

Thursday, January 26, 2012

Black Dahlia

Throwback Thursday: UGZ #15 meets the Black Dahlia, aka Elizabeth Short, at the Mountain View Cemetery in 2004.